MAD Fall 2009
Training Session II
Children’s Training 4 Class Weeks
Nov 2 - Dec 5
Tuesdays & Thursdays 3:45 PM - 6:00 PM and
Momentum Training
Level II Ages 8-15
Tuesdays & Thursdays 3:45 PM - 6:00 PM 3:45 - 4:00 Arrive and get ready for 6:00 start
Viewing Room
All training programs encourage students to observe respectful behaviors including arriving for class in time to be prepared before the class start time.
4:00-4:55 Modern Ballet II Momentum II
Small StudioTeaching a thorough understanding of modern dance and ballet technique, this course will include days of full ballet, days of full modern dance and some days of a blend of the two techniques. Please have both bare footed tights and ballet shoes handy at every class.
5:10–6:00 Modern rep Momentum II
Small StudioBy permission only, Mo II will participate in the development of original choreography to perform in MAD student performances. It is critical that students who enroll in the performance training not incur absences as it slows the entire class progression.
Saturdays 11:30 AM - 3:00 PM 11:30 - 11:45 Arrive and get ready for 11:45 start
Viewing Room All training programs encourage students to observe respectful behaviors including arriving for class in time to be prepared before the class start time.
11:45 - 12:45 Modern Ballet II-III
Small StudioTeaching a thorough understanding of modern dance and ballet technique, this course will include days of full ballet, days of full modern dance and some days of a blend of the two techniques. Please have both bare footed tights and ballet shoes handy at every class.
1:00 - 3:00 II-III Improv, Partnering and Repertory
Small StudioThis class provides the skills that are unique to the MAD training program, skills that set the dancers we train apart from the group in auditions and performances. Based on the university method of training the whole person, this important addition to the MAD training program prepares dancers for college dance and careers in dance. “Without a full understanding of these principals, dancers are not prepared to work in the contemporary trends of the art of dance.” –Anandha Ray